Kate's Queen City Notes

Blundering through Cincinnati, laughing all the way


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Kishi Bashi and The Ridges

After enjoying Kishi Bashi at Bunbury, it wasn’t a difficult decision to get tickets to see him play at The 20th Century Theater. That venue is a nice intimate space. As an added bonus The Ridges opened for him. I haven’t seen them in about a year. Shame on me for that, as they have played numerous times around here. They’ve really amped up the energy in their live show since the last time I saw them. If their purpose was to get the crowed excited for Kishi Bashi, I say job well done.

Just before Kishi Bashi came out, the merch guy came out to quote what I think was Shakespeare. I don’t know why this felt completely appropriate, but it did. One of the band members handed over a remote control to girls to my left. It controlled the lighting in the body of the banjo. I enjoyed this little bit of audience participation.

The band looked great, and put in an energetic performance. It was standing at a place in the theater that made it difficult to judge what the sound was like. I was hearing quite a bit from the monitors on stage and even the acoustic sound from the instruments themselves. I do know that it was hot. There was dancing, and I had fun.

Violas. It's a thing.

Violas. It’s a thing.

The Ridges

The Ridges

Everyone sing along. Or should I say, everyone in the back shut yer pie holes.

Everyone sing along. Or should I say, everyone in the back shut yer pie holes.

That some stuff, stuff that I don't understand.

That some stuff, stuff that I don’t understand.

Tattooed banjo?

Tattooed banjo?

Kishi Bashi. It was hot as satan's taint in there. That jacket came off quickly.

Kishi Bashi. It was hot as satan’s taint in there. That jacket came off quickly.

Because you never know when you need to banjo while straddling someone doing push-ups.

Because you never know when you need to banjo while straddling someone doing push-ups.

Big finish with The Ridges on stage for "Bright Whites"

Big finish with The Ridges on stage for “Bright Whites”


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Bunbury 2014: The Day I Learn Why Music Fests Are Three Days

Sunday at Bunbury started sideways. The skies opened up in the middle of Brick + Mortar’s set, which was also the first act of the day. They said that they would pick-up after the rain let up. After some time spent in the VIP tent throwing back a couple of beers, music resumed. The delay was probably about and hour and fifteen minutes. I was expecting them to just start where they were in the original schedule, but instead they issued a new schedule ensuring that all the bands that were booked that day would in fact play.

The main victim of this new schedule was Young the Giant. I had originally planned on seeing them, but after the reschedule, I couldn’t get across the park to hear more than one and a half songs from them. I feel happy that one of the songs happened to be “My Body”.

The first band up after the reschedule was The Lighthouse and the Whaler. They sounded good, but I was distracted by the threatening sky and my need to keep my very expensive camera gear from getting soaked. I wanted to stay for more than three songs, but the rain chased me away.

I trotted back to the VIP tent to see a short performance by The Kopecky Family Band. It was covered, so that was the only location to retreat to. They sounded great. They were really engaged with the people in the audience. They wanted to do an acoustic song in the center of the tent with everyone crowded around them, but they got shot down by the sound guys. I’m a little bummed that didn’t happen, but I think they were concerned that the music was starting on the main stage.

I checked out ZZ Ward at The Main Stage. Her backing band is pretty spectacular. Her vocals were great. But her music felt wrong for a festival. I want to see her in a dark club. If she comes back to The Madison Theater, or The Southgate House revival, I would gladly see her again.

I checked out The Kopecky Family Band at The River Stage. Man, they are just really great. There was a trombone war. There was some dancing. If they come around Cincinnati again, I will be going to see them. This was my favorite performance of the day.

I saw a bit of Robert DeLong. I like his music. I’m not so fond of watching one or two dudes with a bunch of technology. Robert DeLong does a great job of trying to make that entertaining, but it’s just not my thing. I saw Baths at Midpoint Music Festival last fall, and had a similar experience. It was two dudes with technology. I loved the record, but I didn’t enjoy the concert experience.

I headed off to The Warsteiner Stage for Bear Hands. Their stage presence wasn’t anything special. But they sounded fantastic. I had an excellent conversation with Alex, someone who works on Midpoint Music Festival. I’ve talked about that fest, here, here, and here. It’s the best music festival in the city. It’s an adventure in exploring downtown, and an adventure in seeing new music. I love the way downtown hums with bicycles and music fanatics. We talked about the fest for a bit, and it was super cool to hear about how it’s managed.

After hearing just a bit of Young the Giant, I headed to Holy Ghost! at The River Stage. I was pretty excited about an 80’s throwback dance party. Can that’s what happened. There was a conga line. Then the audience made of their own line dance, and coordinated everyone up front to dance together. The band sounded just like the recording. Their stage presence was ok, but the audience participation made it a really fun show.

Last up was The Flaming Lips on The Main Stage. Spectacle is a good word for their show. It was very visually stimulating. They sounded good, and provided plenty of entertainment. The thing that really struck me about them was how much fun Wayne Coyne seemed to be having. Playing on that stage seemed to be the only thing he wanted to be doing at that moment in this world. It made for such a great concert experience. Oh, and yeah, he got in his hamster ball and rolled/walked around the crowd.

Sometime in the next week, I will post another blog where I talk about my VIP experience and me experience with a media pass. I will also reflect on the experience as a whole. What I can say now is that in spite of my exhaustion, I was so bummed it was over.

The Flaming Lips on stage.

The Flaming Lips on stage.

The Lighthouse and the Whaler

The Lighthouse and the Whaler

The Lighthouse and the Whaler

The Lighthouse and the Whaler

The Kopecky Family Band

The Kopecky Family Band

The VIP stage. This is where all the VIP performances took place.

The VIP stage. This is where all the VIP performances took place.

ZZ Ward

ZZ Ward

ZZ Ward

ZZ Ward

Robert DeLong

Robert DeLong

Airborne Robert Delong

Airborne Robert Delong

Bear Hands

Bear Hands

Holy Ghost!

Holy Ghost!

Holy Ghost!

Holy Ghost!

That's a woman dressed as a mountain. There were a couple of mushrooms and a rainbow on the stage too.

That’s a woman dressed as a mountain. There were a couple of mushrooms and a rainbow on the stage too.

Wayne Coyne of The Flaming Lips. You may ask yourself if he's wearing a body suit. Why yes, he is.

Wayne Coyne of The Flaming Lips. You may ask yourself if he’s wearing a body suit. Why yes, he is.


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Bunbury 2014: Sweat and Joy

The day started a little rough because I forgot my most important successory. Ear Plugs. I stopped in to just a bit of Miner, but then I had to run back to my place to get the cilia-saving foam devices.

After an additional trip to and from my apartment, I turned up to Big Fresh complete with a sweat-soaked shirt. Big Fresh was fun. They had a couple of brass players on stage. In the venn diagram of bands with horns and bands that I like, the circles are nearly on top of each other. If you aren’t a nerd, that just means that I almost always like live bands with horns. Of the lyrics that I could understand I got, “you’re such a hotty totty, I want to touch your body”. So, lyrics might not be their strong suit.

Bronze Radio Return wins for having my favorite song of Bunbury with “Shake, Shake, Shake”. These guys sounded great. They took a little time in their third to last song to jam and feature solos from the harmonica, guitar, and piano players. They are all great musicians. When they played “Shake, Shake, Shake”, it was clear from the crowd’s participation that they were already familiar with their music. Anytime you come around here, Bronze Radio Return, I will be coming to see you.

I peeked in on the Bonesetters before I headed to The River Stage for Kishi Bashi. I’ve been waiting to see Kishi Bashi since I missed him at Midpoint Music Festival last fall. Of all the Bunbury acts, I know his music best. It was worth the wait. He was spectacular. He did a solo version of “Manchester” with live sampling and looping. It was gorgeous. He covered “Live and Let Die” during which he dove into the crowd. After being passed around for a bit he was returned to the stage to close out the song. He’s travelling with a bassist, a drummer, and a banjo player. They all brought creativity to how they used their instruments. The banjo player was playing with a bow at one moment and then using mallets on his banjo for percussion. We got an excellent surprise at the end of the show. Kishi Bashi is coming back in late August to The 20th Century Theater. There’s no way I will miss that.

I stopped in for a moment to see Modoc. They sounded excellent, but I needed to cross the park to see part of Cults. Modoc is booked for Midpoint Music Festival, and assuming no critical conflicts I will see them there. I was expecting to like Cults more than I did. They sounded good. Their performance felt impersonal. That might be partially due to the fact that I was pretty far away, given that I arrived late. I would give them another go because I really like their music.

I headed back across the park to The Warsteiner Stage to see a few songs by Little Daylight. Then I continued on to Paramore. I actually didn’t intend on covering them. But I figured it would be the only time I would see that band, so why not see a song or two. I feel the same way about Paramore as I did about all my ex-boyfriends. I’m just not that into them. A couple of live songs didn’t change my mind.

The Pass and Andrew W. K. were next on my list, so I hiked across the park for the 4th time. The Pass got a tough billing. They were up against Andrew W. K. and Paramore. They deserved better than the sparse attendance they got. They sounded excellent.

Andrew W. K. was big dumb fun. His fans were engaged and very energetic. There was crowd surfing. Even the stoic photographers in the pit couldn’t help but smile. Is his music my thing? No. But it’s impossible to watch him and not smile. Andrew W. K. you win. I would totally see you again.

Foxy Shazam was excellent. Does that even need to be said out loud? Those guys have such a unique and big energy on stage. They packed The River Stage. No surprises there. It’s interesting to note that the other musicians came to see Foxy. Kishi Bashi and Patrick from Fall Out Boy were spotted in the back stage area watching their show. Seriously, if you live in Cincinnati and you love live shows, you must see Foxy Shazam.

Then Fall Out Boy happened. Their music isn’t my thing. I saw almost all of their show, and their music still isn’t my thing. I got some good pictures though.

*Note: I will have to edit this a little later. Sorry for the spelling and grammar problems. Cranking these out on a daily basis is challenging.

 

Miner.

Miner.

Big Fresh. I know I said they had a horn section. I promise they are there. The shots that I have of them didn't make my favorites. I will post them at some point in the future.

Big Fresh. I know I said they had a horn section. I promise they are there. The shots that I have of them didn’t make my favorites. I will post them at some point in the future.

Big Fresh

Big Fresh

Bronze Radio Return

Bronze Radio Return

Bronze Radio Return

Bronze Radio Return

The Bonesetters.

The Bonesetters.

Kishi Bashi

Kishi Bashi

I want those sunglasses. Banjo player from Kishi Bashi.

I want those sunglasses. Banjo player from Kishi Bashi.

Kishi Bashi

Kishi Bashi

Cults.

Cults.

Cults.

Cults.

Little Daylight.

Little Daylight.

Paramore rocking out.

Paramore rocking out.

Yep. Boxing shorts.

Yep. Boxing shorts.

The Pass

The Pass

Andrew W. K. is getting ready to party.

Andrew W. K. is getting ready to party.

Andrew W. K.

Andrew W. K.

Foxy Shazam

Foxy Shazam

Foxy Shazam needs water.

Foxy Shazam needs water.

This is how Fall Out Boy entered the stage.

This is how Fall Out Boy entered the stage.

Fall Out Boy's Pete Wentz.

Fall Out Boy’s Pete Wentz.

Fall Out Boy.

Fall Out Boy.

Fall Out Boy

Fall Out Boy


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Bunbury 2014: Must See Fitz and the Trantrums and Young the Giant

I’ve seen both these bands before. They both put up solid performances. If you are looking for pop-candy goodness head to Fitz. If you are looking for indie rock with a slightly unapproachable sound head to Young the Giant.

See? Pop goodness. Prepare yourself, the woman that does backing vocals puts on one hell of a show.

See? Indie rock that is melodic yet slightly unapproachable. I will be seeing both of these bands again at Bunbury.

Next week, I will share my picks for the local bands that are book at the festival. I’ve seen most of them. Let me take the next few days to consider whether I will consider Heartless Bastards a local band given that they are currently out of Austin but started here in The Queen City.


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Polica and Reputante at The Southgate House Revival: A Palate Cleanser

I was at Governor’s Ball this weekend. I don’t enjoy music in large crowds. Seeing Polica and Reputante at The Southgate House Revival couldn’t have been a better palate cleanser. The sanctuary is small and quirky. Since it was a school night, and Monday at that, the front of the stage was approachable.

I had no experience with Reputante going into their show. Their stage presence was disaffected and sarcastic. I can’t tell if they were just genuinely over their tour and/or that location and crowd, or that’s part of their schtick. That attitude leaves me a little put out. Regardless, I enjoyed their sound, and will do some listening in the future. It seems like all the new bands that I hear coming out of New York all sound like 80’s throwbacks, not that I have any problem with that. I’m happy to hear melody and synths back in music.

One other thing of note is that they have a lady drummer playing to a click track. I always love lady drummers. It seems to me that playing to a click track is Olympic level drumming. There’s no wiggle room there; you’re either dead on the electronic effects or a total mess. So cheers to lady drummer and her Olympic level drumming.

I have listened to Polica a bit. I knew virtually nothing about them, but with tickets at 15 bucks, there wasn’t much to lose. The band consists of a producer, a bassist, two drummers, and a singer and mixer. I was suspect of the dueling drummer stage set-up.

But it was spectacular. The drummers worked off each other, and were perfectly in sync. They brought more drama to the intense parts of their songs. I thought that much noise would drown out the vocalist. I know you can’t turn waif-y into an adverb, but I’m doing it. If singing can sound waif-y, it was so. The fact that the vocalist and the drummers were balanced was probably due to the great sound guy at The Soughtgate House Revival, and the band’s careful set-up. For all the electronics that they had on the stage, everything felt really well balances on my side of the stage.

This show was so close. It was a really great experience. It was exactly the antidote that I needed to resolve my festival experience. Long live thriving local music in my mid-sized city.

Beautiful atmosphere for this music.

Beautiful atmosphere for this music.

Polica at The Southgate House Revival.

Polica at The Southgate House Revival.

The Southgate House Revival balanced the sound really well. Two drum kits didn't overwhelm the delicate vocals.

The Southgate House Revival balanced the sound really well. Two drum kits didn’t overwhelm the delicate vocals.


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Bunbury 2014: Must See Bands Bronze Radio Return and Bad Suns

I have two more must see bands to add to my Bunbury agenda. I love seeing live music. Descriptions of this love don’t fit in my less than skilled command of the English language, but these song lyrics by Bronze Radio Return come close to capturing it. I am super excited to see these guys in July.

We’ve talked about my weakness for 80’s pop before. Then this pick should surprise you in no way. The vocalist for Bad Suns would be the result of a union between Roland Orzabal from Tears for Fears and Dave Gahan from Depeche Mode. Given that Depeche mode is among my favorite bands of the 80’s this was a love at first listen. Side note: when you type Tears for Fears into Google, one of the top three auto-prompts is Tears for Fears gay. Heh.
One other note for any Bunbury fanatics like me, thanks to my friend Kat for bringing this to my attention. Currently, Lydia Loveless and Meg Myers are scheduled for the same time slot at Bunbury on Friday June 11 . I like the sound of both of them, but had panned on having to skip one or the other. Turns out Lydia Loveless is headlining Paddlefest, here in Cincinnati, June 21st. I’m pleased to scratch that conflict off my list. Plus, I would like to see Loveless in a longer time slot. Win/Win!


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The Black Owls and The Sundresses Rocked my Socks Off

This weekend was full of live music. After Sidewalk Chalk and The Almighty Get Down on Friday, I headed back to Motr for The Black Owls and The Sundresses. I’ve seen both these bands before. They play regularly around Cincinnati given that they are both Ohio bands with The Sundresses based in Cincinnati.

I digress. I’ve been listening to my 2014 Bunbury playlist for the last few weeks. Every time Fall Out Boy comes on (which seems to happen with disproportionate frequency), I am fumbling for the skip button. That very thing just happened. Perhaps it’s time I just purchased some of my favorites to get away from this abusive Spotify relationship with Fall Out Boy. That’s settled. I will make up for missing record store day with a trip to buy a bunch of my favorite bands’ records at Shake It.

Back to the topic at hand, The Black Owls came prepared mic swinging and all. They sounded really great on the new sound system at Motr. I am still marveling at how much better the sound is in there. I could understand most of the lyrics, which is a feat at most live shows let alone ones with so much crunchy guitar sounds. Mic swinging might have caused a bit of a microphone crisis, but all was handled gracefully.

Before their set.

Before their set.

The Black Owls killing it.

The Black Owls killing it.

While I was writing the caption to this song The Black Owls came on. Coincidence?

While I was writing the caption to this song The Black Owls came on. Coincidence?

Digging the green lights in this shot.

Digging the green lights in this shot.

The Sundresses added a drummer a couple of years ago. I feel like this really added some punch to their live shows. The past arrangement was that Jeremy and Brad would alternate on percussion duty. That inevitably meant a bit of a lull between songs. Granted they situated themselves damn fast, but still. The addition of a drummer lets them pound though one song leaving barely time to catch your breath before the next tears out. It’s gratifying.

And gratifying it was. They sounded really great. The only hiccup was with one of the mics delivering at random intervals a shock to Jeremy’s mouth. I don’t know what that would feel like, but by the looks of it, it was quite painful. This situation was tolerated until the end of the show, which is more than what I would have endured had I been getting zapped in the mouth.

I had to include a picture with the drummer in it, now that I blabbed about him in the post.

I had to include a picture with the drummer in it, now that I blabbed about him in the post.

The Sundresses doing their thing.

The Sundresses doing their thing.

Jeremy trying to not get zapped in the kisser.

Jeremy trying to not get zapped in the kisser.

Brad rocking out.

Brad rocking out.

Cincinnati, you are getting out of control with all the local music. This weekend is looking like more of the same… I can’t wait.


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James Brown Would be Proud: The Almight Get Down and Sidewalk Chalk

Spring has arrived. Unlike most other northern cities, Cincinnatians hide away in the winter. The first whispers of spring brings everyone out of their hibernation. People turn up to the places they will be from once again.

This was the context for the show last night. The Almighty Get Down opened for Sidewalk Chalk. I knew what I was in for with Sidewalk Chalk. I saw them at Midpoint Music Festival last year. They got a bit of an unfortunate time slot, at 5pm before many of the festival goers were out and about. They sounded great, so when I saw them slated to return to the Queen City, I made note.

I wasn’t disappointed. They sounded stellar and just as tight as I remembered. I admit that I often don’t like hip hop. The lyrics are lacking, and some producer has just nicked hooks from other musicians and packaged them up in predictable ways. But this. This is something else. It’s melodic and thoughtful. There’s a reference to To Kill a Mocking Bird in this song. In the words of Capital Cities, it’s good shit.

The surprise was The Almighty Get Down. They tore down the house with funk that James Brown would approve of. Really fantastic show. Their stage presence coupled with their tight sound just rolled over the audience in shimmering waves. It’s as though they brought all their energy to bear on this one tiny stage in OTR for just an hour or so. Really, that show was just fantastic to watch.

It was a great night for live music. It was a great night for photography. It was a great night.

The Almighty Get Down packed Motr.

The Almighty Get Down packed Motr.

Preach

Preach

The stage at Motr is tiny. I don't know how they packed so many horns on there.

The stage at Motr is tiny. I don’t know how they packed so many horns on there.

I'm afraid I didn't get as close to Sidewalk Chalk. But they sounded excellent.

I’m afraid I didn’t get as close to Sidewalk Chalk. But they sounded excellent.

The weather was splendid. Everyone was out. The patio outside was just as packed as this bar room. Even the basement had full tables.

The weather was splendid. Everyone was out. The patio outside was just as packed as this bar room. Even the basement had full tables.

 


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Whiskey Gentry and Flirty McDrunkerson

I saw a great band yesterday. I had random encounters with strangers. I discovered I can go back to MOTR without perforating my eardrums. It’s all here.

I’ve been confused for someone else at least six times in the last eighteen months. I know who my doppelganger is. She bartends at The Lackman. Strangers approach me, and after a short awkward exchange, ask if I work at The Lackman. At my negative response, the stranger suddenly understands why I was looking at them blankly while he/she was greeting me as a friend. I do bear a slight resemblance to this woman. We have big blue eyes and sandy brown hair. That’s where the similarities end. I have a few inches on her; she has a few years on me. Our hair styles are considerably different. There is one other commonality, that I think is at the root of most people’s confusion. We are both obvious lesbians.

I ran into her yesterday having drink, and decided to have a chat with my not-so-much double. When I relayed my experiences, she laughed and said she experiences similar things. Lesbian confusion. I’m pretty sure it’s a thing, and it’s happening to me. At least my doppelganger is pleasant. A really great conversation ensued, clearly, since I was talking to myself.

After a stellar chicken sandwich at The Eagle, I headed to MOTR to see Whiskey Gentry. I haven’t been to MOTR in a few months. While I love that they book great music seven days a week, the volume in there is at a 12,345 of 10. The noise level is high enough that my ears feel raped with ear plugs in. There is zero possibility of speaking to any human unless you want to shout centimeters away from their ear, and even then you will need to repeat yourself several times. Since it already feels like years of your hearing are vanishing by the minute, I usually resort to texting the person I am standing next to.

Last night, I had a most welcome surprise. MOTR got a new sound system. They got new lights. AND PRAISE BE TO THE GODS OF THE CILIA OF MY INNER EAR, the volume was at a reasonable level. It was loud, but not intolerably so. I was thrilled to discover this as Whiskey Gentry did their sound check.

I wanted to see these guys at Midpoint this fall, but they cancelled the day of their show. See blog post about that here. I would call them folk or alt country. There’s a little 50’s country, bluegrass, and folk in there. And unlike pop country, their lyrics are about more than trucks, tractors and women. Plus, there’s pedal steel, the fiddle, and banjo in their recordings. I’m a sucker for some pleasant banjo. The lead vocalist has a warm buttery voice; weirdness aside, I want her to sing me lullabies. Check ’em out.

They were worth the wait. The vocalist sounded spectacular. I was disappointed that the banjo player wasn’t out with them. It gave their performance a little more of a rock edge. Apart from this tiny bummer, they sounded tight. The guitarist and fiddler were full of energy, while the vocalist had a cool reserve. It created an interesting dynamic. The cool collected woman at the center of a couple of guys nearly off the rails.

Between the pleasant sound level, the great performance, and the excellent people watching, I had a super night. My partner wasn’t feeling well, so she took a pass on seeing the show. I like going out by myself. I enjoy keeping to my thoughts in a crowd. However, I’ve noticed that strangers, especially drunk strangers, like to talk to me. This rarely happens when I am out with friends, but when I’m alone I am often approached. Last night was no exception.

I sat outside after the show to enjoy a rare smoke. A pretty young woman teetered out of the bar and headed my way. She had hipster glasses and skinny jeans, coupled with a spectacularly ugly 80’s hand bag. She tilted her head, slow smiled and asked, “are you lonely?” It was cute. But I am taken, and I was thinking of how to respond politely to Flirty McDrunkerson while still communicating my lack of interest. I settled on, “actually, no, but you are welcome to join me.” That seemed to do the trick. We chatted a bit, before I headed inside.

I ordered one more beer and closed out my tab. After scanning the bar, I found a seat open in the corner where I could relax, and watch the drunken mess that was forming. Quiet time lasted exactly three minutes. A woman approached, and I was relieved when I realized her friends were sitting just ahead of me. After a few seconds of chatting with them, she abruptly turned to me and talked as though we had just left off a few minutes before. I got over my annoyance quickly, because this woman knows her local music. We had a great talk about the Bunbury line-up. Turns out she knows the person responsible for booking, and we debated the merits of this years line-up vs past line-ups. Our thirty minute talk was nice, but it earned me a stink-eye from her boyfriend. It probably didn’t help that she failed to noticed he called her 3 times while we were yammering on and on about Kishi Bashi and X Ambassadors. Hopefully, that didn’t result in too much discord.

So that was my day. I saw great music. I had random conversations with strangers. I took some pictures. It was a wonderful 18 hours.

Image

Fifty-eight degrees felt amazing.

Image

Everyone was out. We’ve had weeks of abnormally brutal winter weather. I think everyone was stir crazy. I know I was.

Image

The snifter contains Sixpoint Hi-Res. The color and the reflection in the glass was beautiful.

Image

Yes.

Image

The sky. I love winter in Cincinnati because it’s the only time of year we have clear blue skies.

Image

The blue sky reflecting off these blue tinted windows looks surreal.

Image

One of the things that caught my eye while I was walking around downtown.


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Midpoint Music Festival 2013 Review: Saturday

Welcome to my Midpoint Music Festival 2013 Review, the Saturday edition. If would like an overview of what MPMF is read this blog post and then come back to this one.

Here’s the agenda that I started out with.

12:30 The School of Rock MPMF Midway
2:00 The Cliftones MPMF Midway
3:00 Twin Peaks at Washington Park
4:15 Tweens at Washington Park
5:30 Wussy at Washington Park
7:00 The Breeders
8:00 METZ at Grammer’s
8:00 The Locals at Main Event
9:30 Black Rebel Motorcycle Club at Grammer’s…
10:30 Bad Veins at the Taft
10:45 Wild Cub at Motr
12:00 Daughter at the Taft
12:30 The Wiskey Gentry at Japp’s

Here’s what actually went down. Several weeks prior to MPMF weekend, I agreed to volunteer at the Redwood Center in Kentucky from 9am to 1pm. I couldn’t bail on that commitment, so I planted daffodil bulbs all morning. By the time I had cleaned-up and eaten, it was 3pm. I skipped Twin Peaks to see the FotoFocus photography exhibition at the Art Academy and inadvertently caught the end of The Ridges’ set. This was a happy accident. I like The Ridges; I saw them open for The Seedy Seeds sometime back. The environment was intimate and complementary of The Ridges’ sound. Plus, we saw some great photography from Cincinnati music events, many of which I attended.

My first show was Tweens at Washington Park. They sounded solid, but their live performance was unremarkable. I feel like a day show in the huge park was not the best environment for them. I want to see them play in a smaller, dark venue. I think the vibe would suit them considerably more.

Tweens at Washington Park

Tweens at Washington Park

Wussy sounded great. As a bonus, they were hanging around the VIP area along with The Breeders and Tween. Although, I regularly run into Lisa from Wussy, so that isn’t terribly remarkable. Kim and Kelley Deal are regularly found in Cincinnati, so that too isn’t terribly remarkable. There was a bit of a surpise when my friend John spotted the drummer for The National. He was gracious and posed for a picture. Turns out he lives in Cincinnati and is also a Breeders fan.

In celebration of Last Spash’s 20th anniversary, The Breeders played the album cover to cover for this show. It was outstanding. They sounded crisp and sassy. I thought hearing them play “Divine Hammer” would be the highlight of my night. Little did I know my night would have lots more awesome in it.

Kim Deal of The Breeders at Washington Park

Kim Deal of The Breeders at Washington Park

I headed to Grammer’s for Black Rebel Motorcycle Club. I managed to get really close to the front without too much effort. There is always at least one band at this fest that excels at melting my face-off with rock and roll. BRMC is the undisputed winner. It  felt like the sonic blast from the stage could make paint blister. I found myself uncontrollably screaming at the end of every song. I left that show thinking THAT was going to be the pinnacle of my night. I was still wrong.

Black Rebel Motorcycle Club at Grammer's

Black Rebel Motorcycle Club at Grammer’s

Black Rebel Motorcycle Club... and that security guy who offered to let me into the press area in front of the stage. I didn't take him up on it because I felt like a douche bag.

Black Rebel Motorcycle Club… and that security guy who offered to let me into the press area in front of the stage. I didn’t take him up on it because I felt like a douche bag.

I headed to Motr for Wild Cub. Motr was a shitshow of humanity. The bar was so packed I couldn’t understand how people were breathing. I squirmed my way past the bar. All hope was lost for getting a drink. I made it to the patio. I suspect I had a conversation with Brian Baker, the guy who covers Cincinnati’s live music scene for City Beat; we didn’t exchange names. We had a pleasant conversation about the fest. Here’s his review of this night. We heard Wild Cub was starting so both my new friend and I shambled into the stage area. Staying in the building until after Wild Cub started proved to be a mistake. It took me 3 songs to make it to the door to get out. Wild Cub sounded good, but it was really too packed for me to enjoy them. I will be on the look out for them to return.

I headed to The Taft in hopes of catching the last of Bad Veins. Unfortunately, I just missed them. There were concerns that The Taft would be difficult to get into for Daughter, due to the single venue tickets selling out for The Taft that night. I had no problems getting in. Once inside I ran into the guy that was standing next to me at BRMC. We discussed how mind-blowing that show was and the Cincinnati music scene in general. It was fun.

Daughter was the show that I was most excited about that night. When they took the stage, I was surprised about a couple of things. First, Elena Tonra is so very retiring and self-effacing. She tentatively approached the microphone. When she opened her mouth the sound that came out was just as divine as can be found on the albums. Their live show was every bit as nuanced and gorgeous as their album. The audience was entranced. This was the only show of the weekend in which the crowd was nearly silent aside from their rounds of cheering. The Taft was packed by the time the show started. It quickly got uncomfortably hot. Elena remarked on it and said that she needed 10 showers. She immediately blushed and mumbled, “why do I talk”? I think her shyness endeared her to the audience even more than how spectacular they sounded. I left this show gobsmacked. So, this was the pinnacle of my night.

Elena of Daughter at The Taft

Elena of Daughter at The Taft

I had considered heading to Bare Mutants after the Daughter show, but I felt too exhausted by awesome. I didn’t even know that could happen. Instead I went to Madonna’s for a beer with a couple of my fellow fest-goers. We had all been at the Daughter show and needed to decompress. We all agreed that this fest had been the best in memory. I was thrilled to be headed to my bed for much-needed rest, but I was forlorn that the fest was over.

This fest was blessed with randoms. All of the people that I randomly met were pleasant and great conversations where had. It seems strangely fitting that when I returned to my apartment a group of 18 year-old girls were in the foyer when I walked up. There was an abundance of twittering, but they were contentious enough to hold the door for me to pass through with my bicycle. One of the girls gushed as I passed, “I’m not saying this just because I’m drunk, but I think you’re really beautiful”. The first part of that statement was obviously false, but I decided not to look for the dark cloud in that silver lining and just accepted the unusual scenario as someone sharing a sweet sentiment and simply said thank you.

This was such a great three days. I just feel so grateful for the experience.

One little add on for the Cincinnati natives… I frequent the local music events. I’ve seen Bad Veins at least 10 times now. I always feel like a bad native at MPMF, because I generally pick acts that I haven’t seen over ones that I’ve seen before, even when I love them. I skipped The Seedy Seeds at many MPMFs because I wanted to see something new. Am I alone in this feeling? I suspect that I’m not.