live music | Kate's Queen City Notes

July 17, 2014
by allthenamesaretakensothisisreallyreallylong 1 Comment

Bunbury 2014: The Day I Learn Why Music Fests Are Three Days

Sunday at Bunbury started sideways. The skies opened up in the middle of Brick + Mortar’s set, which was also the first act of the day. They said that they would pick-up after the rain let up. After some time spent in the VIP tent throwing back a couple of beers, music resumed. The delay was probably about and hour and fifteen minutes. I was expecting them to just start where they were in the original schedule, but instead they issued a new schedule ensuring that all the bands that were booked that day would in fact play.

The main victim of this new schedule was Young the Giant. I had originally planned on seeing them, but after the reschedule, I couldn’t get across the park to hear more than one and a half songs from them. I feel happy that one of the songs happened to be “My Body”.

The first band up after the reschedule was The Lighthouse and the Whaler. They sounded good, but I was distracted by the threatening sky and my need to keep my very expensive camera gear from getting soaked. I wanted to stay for more than three songs, but the rain chased me away.

I trotted back to the VIP tent to see a short performance by The Kopecky Family Band. It was covered, so that was the only location to retreat to. They sounded great. They were really engaged with the people in the audience. They wanted to do an acoustic song in the center of the tent with everyone crowded around them, but they got shot down by the sound guys. I’m a little bummed that didn’t happen, but I think they were concerned that the music was starting on the main stage.

I checked out ZZ Ward at The Main Stage. Her backing band is pretty spectacular. Her vocals were great. But her music felt wrong for a festival. I want to see her in a dark club. If she comes back to The Madison Theater, or The Southgate House revival, I would gladly see her again.

I checked out The Kopecky Family Band at The River Stage. Man, they are just really great. There was a trombone war. There was some dancing. If they come around Cincinnati again, I will be going to see them. This was my favorite performance of the day.

I saw a bit of Robert DeLong. I like his music. I’m not so fond of watching one or two dudes with a bunch of technology. Robert DeLong does a great job of trying to make that entertaining, but it’s just not my thing. I saw Baths at Midpoint Music Festival last fall, and had a similar experience. It was two dudes with technology. I loved the record, but I didn’t enjoy the concert experience.

I headed off to The Warsteiner Stage for Bear Hands. Their stage presence wasn’t anything special. But they sounded fantastic. I had an excellent conversation with Alex, someone who works on Midpoint Music Festival. I’ve talked about that fest, here, here, and here. It’s the best music festival in the city. It’s an adventure in exploring downtown, and an adventure in seeing new music. I love the way downtown hums with bicycles and music fanatics. We talked about the fest for a bit, and it was super cool to hear about how it’s managed.

After hearing just a bit of Young the Giant, I headed to Holy Ghost! at The River Stage. I was pretty excited about an 80’s throwback dance party. Can that’s what happened. There was a conga line. Then the audience made of their own line dance, and coordinated everyone up front to dance together. The band sounded just like the recording. Their stage presence was ok, but the audience participation made it a really fun show.

Last up was The Flaming Lips on The Main Stage. Spectacle is a good word for their show. It was very visually stimulating. They sounded good, and provided plenty of entertainment. The thing that really struck me about them was how much fun Wayne Coyne seemed to be having. Playing on that stage seemed to be the only thing he wanted to be doing at that moment in this world. It made for such a great concert experience. Oh, and yeah, he got in his hamster ball and rolled/walked around the crowd.

Sometime in the next week, I will post another blog where I talk about my VIP experience and me experience with a media pass. I will also reflect on the experience as a whole. What I can say now is that in spite of my exhaustion, I was so bummed it was over.

The Flaming Lips on stage.

The Lighthouse and the Whaler

The Kopecky Family Band

The VIP stage. This is where all the VIP performances took place.

ZZ Ward

Robert DeLong

Airborne Robert Delong

Bear Hands

Holy Ghost!

That’s a woman dressed as a mountain. There were a couple of mushrooms and a rainbow on the stage too.

Wayne Coyne of The Flaming Lips. You may ask yourself if he’s wearing a body suit. Why yes, he is.

July 13, 2014
by allthenamesaretakensothisisreallyreallylong 1 Comment

Bunbury 2014: Sweat and Joy

The day started a little rough because I forgot my most important successory. Ear Plugs. I stopped in to just a bit of Miner, but then I had to run back to my place to get the cilia-saving foam devices.

After an additional trip to and from my apartment, I turned up to Big Fresh complete with a sweat-soaked shirt. Big Fresh was fun. They had a couple of brass players on stage. In the venn diagram of bands with horns and bands that I like, the circles are nearly on top of each other. If you aren’t a nerd, that just means that I almost always like live bands with horns. Of the lyrics that I could understand I got, “you’re such a hotty totty, I want to touch your body”. So, lyrics might not be their strong suit.

Bronze Radio Return wins for having my favorite song of Bunbury with “Shake, Shake, Shake”. These guys sounded great. They took a little time in their third to last song to jam and feature solos from the harmonica, guitar, and piano players. They are all great musicians. When they played “Shake, Shake, Shake”, it was clear from the crowd’s participation that they were already familiar with their music. Anytime you come around here, Bronze Radio Return, I will be coming to see you.

I peeked in on the Bonesetters before I headed to The River Stage for Kishi Bashi. I’ve been waiting to see Kishi Bashi since I missed him at Midpoint Music Festival last fall. Of all the Bunbury acts, I know his music best. It was worth the wait. He was spectacular. He did a solo version of “Manchester” with live sampling and looping. It was gorgeous. He covered “Live and Let Die” during which he dove into the crowd. After being passed around for a bit he was returned to the stage to close out the song. He’s travelling with a bassist, a drummer, and a banjo player. They all brought creativity to how they used their instruments. The banjo player was playing with a bow at one moment and then using mallets on his banjo for percussion. We got an excellent surprise at the end of the show. Kishi Bashi is coming back in late August to The 20th Century Theater. There’s no way I will miss that.

I stopped in for a moment to see Modoc. They sounded excellent, but I needed to cross the park to see part of Cults. Modoc is booked for Midpoint Music Festival, and assuming no critical conflicts I will see them there. I was expecting to like Cults more than I did. They sounded good. Their performance felt impersonal. That might be partially due to the fact that I was pretty far away, given that I arrived late. I would give them another go because I really like their music.

I headed back across the park to The Warsteiner Stage to see a few songs by Little Daylight. Then I continued on to Paramore. I actually didn’t intend on covering them. But I figured it would be the only time I would see that band, so why not see a song or two. I feel the same way about Paramore as I did about all my ex-boyfriends. I’m just not that into them. A couple of live songs didn’t change my mind.

The Pass and Andrew W. K. were next on my list, so I hiked across the park for the 4th time. The Pass got a tough billing. They were up against Andrew W. K. and Paramore. They deserved better than the sparse attendance they got. They sounded excellent.

Andrew W. K. was big dumb fun. His fans were engaged and very energetic. There was crowd surfing. Even the stoic photographers in the pit couldn’t help but smile. Is his music my thing? No. But it’s impossible to watch him and not smile. Andrew W. K. you win. I would totally see you again.

Foxy Shazam was excellent. Does that even need to be said out loud? Those guys have such a unique and big energy on stage. They packed The River Stage. No surprises there. It’s interesting to note that the other musicians came to see Foxy. Kishi Bashi and Patrick from Fall Out Boy were spotted in the back stage area watching their show. Seriously, if you live in Cincinnati and you love live shows, you must see Foxy Shazam.

Then Fall Out Boy happened. Their music isn’t my thing. I saw almost all of their show, and their music still isn’t my thing. I got some good pictures though.

*Note: I will have to edit this a little later. Sorry for the spelling and grammar problems. Cranking these out on a daily basis is challenging.

Miner.

Big Fresh. I know I said they had a horn section. I promise they are there. The shots that I have of them didn’t make my favorites. I will post them at some point in the future.

Big Fresh

Bronze Radio Return

The Bonesetters.

Kishi Bashi

I want those sunglasses. Banjo player from Kishi Bashi.

Kishi Bashi

Cults.

Little Daylight.

Paramore rocking out.

Yep. Boxing shorts.

The Pass

Andrew W. K. is getting ready to party.

Andrew W. K.

Foxy Shazam

Foxy Shazam needs water.

This is how Fall Out Boy entered the stage.

Fall Out Boy’s Pete Wentz.

Fall Out Boy.

Fall Out Boy

July 12, 2014
by allthenamesaretakensothisisreallyreallylong 2 Comments

Bunbury 2014: Friday Review

It’s a nice feeling when things go according to plan. It’s a wonderful feeling when things go even better than planned. At work, I was assigned a project that was running off the rails the day before the weekend of the 4th of July. Practically, I had 5 business days to get the project back under control and re-plan it.

I had planned to take yesterday off, so I could have a leisurely morning getting ready for Bunbury. Once I got this flaming project tossed in my lap, taking the day off was out of the question. After roughly 40 meetings and what felt like a zillion emails, and hundreds of problems solved this week, I was able to get a half-day off.

By some miracle, I was able to close out all of my pending work, and keep my four meetings of the morning on schedule. By noon, I was headed to Sawyer Point to get my press credentials. This task went quickly, and I had enough time to change out of work clothes and head back to the fest.

I bought my VIP passes at the fest last year. I had a good enough time that I felt confident about the purchase without knowing the line-up. I had since lost that email receipt. At will call they looked me up, and printed my tickets in less than 5 minutes. Then I headed to the media tent to get my camera sticker. This also took about five minutes. Getting into the fest on time: Success!

I headed to the River Stage to see Royal Teeth. They were just as adorable as I was expecting. They were shiny pop goodness with a dash of hipster. They sounded great, seemed happy to be there, and were really chatty with the crowd.

After a brief stop in the VIP tent for a 2 dollar beer, I headed to The Main Stage to see X Ambassadors. They’re music isn’t exactly my bag. But, my spidey sense told me that they would put up a solid performance. Plus, they have been regularly selling out their shows on this tour, so that’s got to count for something. They didn’t disappoint.

I wasn’t feeling particularly drawn to any of the bands in the time slot following X Ambassadors. I checked in on a couple of songs by Let It Be and Panama Wedding. Let It Be made me think of every pop punk show that I saw in the late 90’s. I think that could be interpreted as an insult, but that’s not what I intend. I like pop punk. I really like it when it’s tight, as they were. I was drawn off because I had to get back to The Main Stage, but I would happily go see them again.

Wild Cub was just as excellent as I expected. They were great the other two times I saw them, so there were no surprises there. The singer said that Ohio was special to them because a dj in Columbus was the first to play their song on the radio. This spawned a conversation later about how Ohio radio stations are less tightly controlled and thus makes Ohio a bit of a trend setter. I have never heard this before. When I have 5 minutes to blow this will be googled.

I stopped by at J Roddy Walston and the Business and Family and Friends. J Roddy was rocking. I will be seeing them again. Like X Ambassadors, their music isn’t my bag, but I always love a stellar performance.

I heard great things about Cage the Elephant. That great lip service is justified. At this point I thought, ah this will be the best performamce of the day. That turned out completely wrong.

I missed Bad Suns, but my friends that made it said they were great. Next up was Fitz and the Tantrums. I saw them this past fall. They have been touring for more than 7 months. They are great performers, but I have to say their vocals were a little worse for the wear. Fitz was clearly struggling. Their only option would have been to cancel, and I commend them for powering through it. Regardless of sounding a little rough, they were just as engaged with the crowd as they were early in the tour. The band sounded excellent. Net, not the best I’ve seen from them, but they get big ups for not disappointing their fans with a cancellation.

I am sure it’s nostalgia that makes so happy to see Heartless Bastards play in Cincinnati. I think of the many times I saw a then slightly different lineup playing the claustrophobic basement of the CAC, the original Southgate House, and Northside Tavern. It was around their inception and early shows that I started engaging in the local music scene. Zero regrets there. Erika Wennerstrom said it was good to be home, and it made me feel sappy and thankful for how good Cincinnati has been to me.

Last up for the evening was Empire of the Sun. When they were booked, I had thoughts. Thoughts like, what idiot booked this? I kept these thoughts to myself, because I wasn’t familiar with the band. I did some listening. I liked their sound. For the most part, feedback on social media was similar to my first thought. But there were sporadic dissenters suggesting that this booking was a huge win. “They never tour in the states”, they said. “They have an amazing live show”, they said. I skipped checking out any YouTube videos because, I do most of my listening via Spotify and can’t stream video at work.

The photography pit was packed. Empire of the Sun hit the stage. My mouth was agape. It took minutes for me to recover my wits from the awe I was experiencing. My words just aren’t good enough to describe what happened there. The pictures aren’t really either. But they’re all I have. I will say this, their show blew my expectations out of the water. If you can see them, MY GOD YOU MUST DO IT. I DON”T CARE IF YOU DON”T LIKE THEIR MUSIC.

In summary, Bunbury day one, you win. I freely admit, I wasn’t feeling your line-up this year. But, damn, if Saturday and Sunday are even half as good as yesterday, I am calling this fest a massive success.

Royal Teeth! Aren’t they cute?

See? Even cuter in this picture.

X Ambassadors

Not the instrument I thought he would play.

Let It Be rocking out.

Panama Wedding

Wild Cub!

J Roddy Walston and the Business

J Roddy Walston and the Business, and for some reason they remind me of Soul Asylum. Visually. They sound nothing like Soul Asylum.

Cage the Elephant

These guys put up an amazing performance.

Fits and the Tantrums.

Heartless Bastards!

The Warsteiner Stage

Empire of the Sun. I have so many more pictures of this show, but you will need to wait a few more days until I can process all of them.

July 10, 2014
by allthenamesaretakensothisisreallyreallylong Leave a comment

Bunbury 2014: IT’S ALMOST HERE!!

This has been one hell of a week at work, which makes me extra excited about all the live music that I’m seeing this weekend. I’ve been blogging about my not-to-miss bands for the past few months. Check out those blogs if you like.

Fitz and the Trantrums and Young the Giant
Kishi Bashi and Wild Cub
Bronze Radio Return and Bad Suns
Cults and Holy Ghost!

Plus, I’m super excited that I got a press pass this year. I have a pretty spiffy camera, and I was hoping I could get clearance to bring it in. Success!! I’m thrilled about all the amazing pictures that I’m going to share in the coming days.

Here’s my agenda for the weekend. Agenda. It’s so corporate. Regardless, here it is.

Friday:

2-245 Divided between Royal Teeth and Snowmine – Both these bands sound great, so it looks like I start the fest by sprinting across Sawyer Point.
245-330 X Ambassadors – These guys are regularly selling out their venues on this tour. Their horizon is looking pretty bright.
330-415 Let It Happen
415-5 Wild Cub Seen them twice, love them. 500 Miles to Memphis gets an honorable mention. This Cincinnati-based band puts on a great show, but I’ve seen them quite a few times. Oh, the burden of being a local at this fest.
5-545 Divided between J Roddy Walston and the Business and Family and Friends – I enjoy the sound of both of these bands. More sprinting.
545-645 Cage the Elephant
645-730 Bad Suns – If I have it in me, I might try and catch a song or two by Meg Myers and Lydia Loveless between Cage and Bad Suns.
745-9 Fitz and the Tantrums
915-1015 Heartless Bastards – Erika Wennerstrom’s voice is just spectacular.
1015-1115 Empire of the Sun

Saturday:

2-245 Miner
245-330 Big Fresh
330-415 Bronze Radio Return
415-5 Bonesetters
5-545 Kishi Bashi – I would have gotten tix to this fest just for this show.
545-645 Cults – Their songs sound straight out of the sixties and have lyrics about, well, cults. What’s not to like?
630-730 Little Daylight – This band drew me away from my original agenda at Governor’s Ball with their sweet, sweet sounds.
730-815 Molly Sullivan – Formerly the lead singer of the Know Know Nots, she’s got stellar vocals. I’m excited to see what she’s working on now.
815-915 Divided between The Pass and Andrew W. K. – Oh god, why are so many good things happening in this time slot.
9-10 Foxy Shazam – Their music isn’t really in my wheelhouse, but they are super performers.
10-1115 Fall Out Boy – They aren’t really my thing, but they have no competition. So, thks fr th mrms in advance.

Sunday:

2-245 Brick + Mortar
245-330 The Lighthouse and the Whaler – So much pop goodness. It’s marshmallow fluff for your ears.
330-415 The Easthills
415-5 Kopecky Family Band – Are they sure they aren’t a subset of Cults?
5-6 ZZ Ward
6-7 Robert Delong – This is dance-your-pants-off hour.
630-730 Bear Hands
7-8 Young the Giant
8-9 Holy Ghost! – They are so 80’s, and I love it so much.
9-1015 Flaming Lips – Thank Jeebus this thing ends at 1015. I will be beat-down by that point in the weekend.

Bring it Bunbury! I’m ready!

June 25, 2014
by allthenamesaretakensothisisreallyreallylong Leave a comment

Betty Who and Sidewalk Chalk

Cincinnati has a segregation problem. White people live in white neighborhoods, and black people live in black neighborhoods. White people go to certain bars, and black people go to certain bars. That’s just how it’s been. And it’s a problem.

Music in public places might be one way of breaking down those barriers. That was my thought while I was watching a black man twirl some soccer moms Friday night at Fountain Square. The crowd was better diversified there than any place that I’ve been in recent months.

I headed to Fountain Square to see Pluto Revolts, Captain Kidd, Vito Emanuel, and Betty Who. They were playing Midpoint Music’s sponsored indie rock night. I was happy to see Pluto Revolts as they are in the Bunbury line-up and conflict with another act that I want to see, unfortunately I only saw one of their songs. Captain Kidd was really fun. Betty Who brought lots of energy to the stage. I enjoyed her band. She had two very short women playing bass and keys. Betty Who is extremely tall, and when she would dance next to her band mates they looked like hobbits. It was a fun free show, and the Square had a good turn out.

Betty Who on Fountain Square. Betty Who attracted a varied audience, including drag queens, suburbanites, and junkies.

I’ve seen Sidewalk Chalk twice. I saw them at MPMF 2013, and I saw them at MOTR this winter. They had a Saturday night booking in the winter, and they packed the house. No offense to the band, but MOTR is typically packed on a Saturday. Mostly, I think this says more about Cincinnati’s work schedules than it does the bands booked on said nights.

They played Sunday at MOTR, and while there was nice turn-out, it wasn’t as crazy packed as it was this winter. I enjoyed the more low-key vibe. They sounded excellent. The performance of the brass players really popped. I could see them this time, so that might account for them drawing my attention.

This guy took a great solo.

Put your hands up.

I am pretty sure this is Sidewalk Chalk’s touring machine. I love it.

June 13, 2014
by allthenamesaretakensothisisreallyreallylong 1 Comment

Bunbury 2014: Must See Bands Kishi Bashi and Wild Cub

I got so engrossed in listening to new music that I forgot to mention the bands that I loved prior to knowing that they would be a part of the Bunbury 2014 line-up. It’s time to fix that. I was already familiar with Kishi Bashi, Fitz and the Trantrums, Wild Cub, Young the Giant, Flaming Lips, Varuca Salt, Red Wanting Blue, Andrew W. K., Ropert DeLong, Dead Sara, Foxy Shazam, Heartless Bastards, Young Heirlooms, Black Owls (I saw them at MOTR recently and blogged about it), The Yugos, and 500 Miles to Memphis.

I know some of these bands because they are or were local, and hence they play or did play around here often. Foxy Shazam, Heartless Bastards, Young Heirlooms, Black Owls, The Yugos, Heartless Bastards, and 500 Miles to Memphis are in that category. The other bands I have just run across in my indie music listening adventure. I saw Wild Cub at 2013 Midpoint Music Festival. I like them so well, that I saw them open for American Authors this winter. I saw Capital Cities and Fitz and the Tantrums this winter at The Madison. I saw Young the Giant when Walk the Moon opened for them a couple of years back. I know Kishi Bashi from his old band, Jupiter One. I saw them a couple of times, and I am excited to see K in his current project.

Speaking of Kishi Bashi, his music is great. He played 2013 Midpoint Music Festival. He packed the basement of the CAC. Even my VIP pass failed to get me in the door in a timely fashion, and I had to abandon seeing him to make Murder by Death. Given that I missed my last chance to see him, he is on my do-not-miss list for Bunbury. K plays a mean violin and has a bright pop sensibility, and I think his live shows feature some looping and live sampling. I love his cover of “This is the Place.”

2013 Midpoint Music Fest put out line-up that was a really diverse sampling of high quality indie lable artists. Wild Cub stood out to me for how 80’s retro their sound is. Turns out that most of the indie pop coming out of New York is decidedly 80’s washed, as evidenced by this year’s Bunbury line-up. Wild Cub was slated to play MOTR, which is a pretty small and poorly-laid out venue. They can’t help it. The built-in antique bar, that lends so to the aestetic also makes the performance space a bit awkward. I got to the bar early, anticipating a crowd. Once Wild Cub went on, the crowd was so packed in that I couldn’t stand more than three or four songs. But the bit I saw was excellent and kept me listening. I’m pretty excited about awkward hipster dancing to their set at Bunbury.

June 10, 2014
by allthenamesaretakensothisisreallyreallylong Leave a comment

Polica and Reputante at The Southgate House Revival: A Palate Cleanser

I was at Governor’s Ball this weekend. I don’t enjoy music in large crowds. Seeing Polica and Reputante at The Southgate House Revival couldn’t have been a better palate cleanser. The sanctuary is small and quirky. Since it was a school night, and Monday at that, the front of the stage was approachable.

I had no experience with Reputante going into their show. Their stage presence was disaffected and sarcastic. I can’t tell if they were just genuinely over their tour and/or that location and crowd, or that’s part of their schtick. That attitude leaves me a little put out. Regardless, I enjoyed their sound, and will do some listening in the future. It seems like all the new bands that I hear coming out of New York all sound like 80’s throwbacks, not that I have any problem with that. I’m happy to hear melody and synths back in music.

One other thing of note is that they have a lady drummer playing to a click track. I always love lady drummers. It seems to me that playing to a click track is Olympic level drumming. There’s no wiggle room there; you’re either dead on the electronic effects or a total mess. So cheers to lady drummer and her Olympic level drumming.

I have listened to Polica a bit. I knew virtually nothing about them, but with tickets at 15 bucks, there wasn’t much to lose. The band consists of a producer, a bassist, two drummers, and a singer and mixer. I was suspect of the dueling drummer stage set-up.

But it was spectacular. The drummers worked off each other, and were perfectly in sync. They brought more drama to the intense parts of their songs. I thought that much noise would drown out the vocalist. I know you can’t turn waif-y into an adverb, but I’m doing it. If singing can sound waif-y, it was so. The fact that the vocalist and the drummers were balanced was probably due to the great sound guy at The Soughtgate House Revival, and the band’s careful set-up. For all the electronics that they had on the stage, everything felt really well balances on my side of the stage.

This show was so close. It was a really great experience. It was exactly the antidote that I needed to resolve my festival experience. Long live thriving local music in my mid-sized city.

Beautiful atmosphere for this music.

Polica at The Southgate House Revival.

The Southgate House Revival balanced the sound really well. Two drum kits didn’t overwhelm the delicate vocals.

May 1, 2014
by allthenamesaretakensothisisreallyreallylong 1 Comment

Bunbury 2014: Must See Bands Bronze Radio Return and Bad Suns

I have two more must see bands to add to my Bunbury agenda. I love seeing live music. Descriptions of this love don’t fit in my less than skilled command of the English language, but these song lyrics by Bronze Radio Return come close to capturing it. I am super excited to see these guys in July.

We’ve talked about my weakness for 80’s pop before. Then this pick should surprise you in no way. The vocalist for Bad Suns would be the result of a union between Roland Orzabal from Tears for Fears and Dave Gahan from Depeche Mode. Given that Depeche mode is among my favorite bands of the 80’s this was a love at first listen. Side note: when you type Tears for Fears into Google, one of the top three auto-prompts is Tears for Fears gay. Heh.

One other note for any Bunbury fanatics like me, thanks to my friend Kat for bringing this to my attention. Currently, Lydia Loveless and Meg Myers are scheduled for the same time slot at Bunbury on Friday June 11 . I like the sound of both of them, but had panned on having to skip one or the other. Turns out Lydia Loveless is headlining Paddlefest, here in Cincinnati, June 21st. I’m pleased to scratch that conflict off my list. Plus, I would like to see Loveless in a longer time slot. Win/Win!

April 23, 2014
by allthenamesaretakensothisisreallyreallylong 3 Comments

The Black Owls and The Sundresses Rocked my Socks Off

This weekend was full of live music. After Sidewalk Chalk and The Almighty Get Down on Friday, I headed back to Motr for The Black Owls and The Sundresses. I’ve seen both these bands before. They play regularly around Cincinnati given that they are both Ohio bands with The Sundresses based in Cincinnati.

I digress. I’ve been listening to my 2014 Bunbury playlist for the last few weeks. Every time Fall Out Boy comes on (which seems to happen with disproportionate frequency), I am fumbling for the skip button. That very thing just happened. Perhaps it’s time I just purchased some of my favorites to get away from this abusive Spotify relationship with Fall Out Boy. That’s settled. I will make up for missing record store day with a trip to buy a bunch of my favorite bands’ records at Shake It.

Back to the topic at hand, The Black Owls came prepared mic swinging and all. They sounded really great on the new sound system at Motr. I am still marveling at how much better the sound is in there. I could understand most of the lyrics, which is a feat at most live shows let alone ones with so much crunchy guitar sounds. Mic swinging might have caused a bit of a microphone crisis, but all was handled gracefully.

Before their set.

The Black Owls killing it.

While I was writing the caption to this song The Black Owls came on. Coincidence?

Digging the green lights in this shot.

The Sundresses added a drummer a couple of years ago. I feel like this really added some punch to their live shows. The past arrangement was that Jeremy and Brad would alternate on percussion duty. That inevitably meant a bit of a lull between songs. Granted they situated themselves damn fast, but still. The addition of a drummer lets them pound though one song leaving barely time to catch your breath before the next tears out. It’s gratifying.

And gratifying it was. They sounded really great. The only hiccup was with one of the mics delivering at random intervals a shock to Jeremy’s mouth. I don’t know what that would feel like, but by the looks of it, it was quite painful. This situation was tolerated until the end of the show, which is more than what I would have endured had I been getting zapped in the mouth.

I had to include a picture with the drummer in it, now that I blabbed about him in the post.

The Sundresses doing their thing.

Jeremy trying to not get zapped in the kisser.

Brad rocking out.

Cincinnati, you are getting out of control with all the local music. This weekend is looking like more of the same… I can’t wait.

April 20, 2014
by allthenamesaretakensothisisreallyreallylong 3 Comments

James Brown Would be Proud: The Almight Get Down and Sidewalk Chalk

Spring has arrived. Unlike most other northern cities, Cincinnatians hide away in the winter. The first whispers of spring brings everyone out of their hibernation. People turn up to the places they will be from once again.

This was the context for the show last night. The Almighty Get Down opened for Sidewalk Chalk. I knew what I was in for with Sidewalk Chalk. I saw them at Midpoint Music Festival last year. They got a bit of an unfortunate time slot, at 5pm before many of the festival goers were out and about. They sounded great, so when I saw them slated to return to the Queen City, I made note.

I wasn’t disappointed. They sounded stellar and just as tight as I remembered. I admit that I often don’t like hip hop. The lyrics are lacking, and some producer has just nicked hooks from other musicians and packaged them up in predictable ways. But this. This is something else. It’s melodic and thoughtful. There’s a reference to To Kill a Mocking Bird in this song. In the words of Capital Cities, it’s good shit.

The surprise was The Almighty Get Down. They tore down the house with funk that James Brown would approve of. Really fantastic show. Their stage presence coupled with their tight sound just rolled over the audience in shimmering waves. It’s as though they brought all their energy to bear on this one tiny stage in OTR for just an hour or so. Really, that show was just fantastic to watch.

It was a great night for live music. It was a great night for photography. It was a great night.

The Almighty Get Down packed Motr.

Preach

The stage at Motr is tiny. I don’t know how they packed so many horns on there.

I’m afraid I didn’t get as close to Sidewalk Chalk. But they sounded excellent.

The weather was splendid. Everyone was out. The patio outside was just as packed as this bar room. Even the basement had full tables.

Kate's Queen City Notes

Blundering through Cincinnati, laughing all the way

Tag Archives: live music