I don’t know what Tolstoy was getting at. Or, I should say I don’t understand the point he seems to be reinforcing. He meticulously describes the inner live of a woman who falls in love, and leaves her loveless marriage. He also describes an ethical atheist as he embarks on his family life. It seems like Tolstoy is genuinely sympathetic to both of these characters.
****Giant Spoiler Alert*****
Then he proceeds to have her throw herself into an oncoming train, and has the atheist character get religion. If he wanted to pontificate about morality, I think he could have spent far less time telling us about the inner life of Anna Karinina, the unfaithful wife, and Levin, the atheist. I feel vaguely annoyed every time an author is so simplistic in doling out morality. Anna Karinina had to die because she’s an adulterer. Levin had to find God because, well god.
The only thing that doesn’t really fit here is Anna’s husband. He doesn’t come to a particularly great end. He seems really distraught about loosing his wife and falls into chicanery and fanaticism. His career stalls after Anna’s affair becomes public; and he is judged harshly for not calling out Vronsky, Anna’s lover, for a duel.
I liked reading about life in 19th century Russia. I was interested to read that Anna was punished for adultery, and yet she was only honest about what most others were doing in private. It was also interesting that her isolation from society probably exacerbated her paranoia over Vronsky falling out of love with her.
Did I like this book? Not really. Would I read it again? No. Should you read it? I don’t know. It’s awfully long to conclude in such a predicable way. How interested are you in 19th century Russia? Not so much? Don’t pick up this book.
Sunday at Bunbury started sideways. The skies opened up in the middle of Brick + Mortar’s set, which was also the first act of the day. They said that they would pick-up after the rain let up. After some time spent in the VIP tent throwing back a couple of beers, music resumed. The delay was probably about and hour and fifteen minutes. I was expecting them to just start where they were in the original schedule, but instead they issued a new schedule ensuring that all the bands that were booked that day would in fact play.
The main victim of this new schedule was Young the Giant. I had originally planned on seeing them, but after the reschedule, I couldn’t get across the park to hear more than one and a half songs from them. I feel happy that one of the songs happened to be “My Body”.
The first band up after the reschedule was The Lighthouse and the Whaler. They sounded good, but I was distracted by the threatening sky and my need to keep my very expensive camera gear from getting soaked. I wanted to stay for more than three songs, but the rain chased me away.
I trotted back to the VIP tent to see a short performance by The Kopecky Family Band. It was covered, so that was the only location to retreat to. They sounded great. They were really engaged with the people in the audience. They wanted to do an acoustic song in the center of the tent with everyone crowded around them, but they got shot down by the sound guys. I’m a little bummed that didn’t happen, but I think they were concerned that the music was starting on the main stage.
I checked out ZZ Ward at The Main Stage. Her backing band is pretty spectacular. Her vocals were great. But her music felt wrong for a festival. I want to see her in a dark club. If she comes back to The Madison Theater, or The Southgate House revival, I would gladly see her again.
I checked out The Kopecky Family Band at The River Stage. Man, they are just really great. There was a trombone war. There was some dancing. If they come around Cincinnati again, I will be going to see them. This was my favorite performance of the day.
I saw a bit of Robert DeLong. I like his music. I’m not so fond of watching one or two dudes with a bunch of technology. Robert DeLong does a great job of trying to make that entertaining, but it’s just not my thing. I saw Baths at Midpoint Music Festival last fall, and had a similar experience. It was two dudes with technology. I loved the record, but I didn’t enjoy the concert experience.
I headed off to The Warsteiner Stage for Bear Hands. Their stage presence wasn’t anything special. But they sounded fantastic. I had an excellent conversation with Alex, someone who works on Midpoint Music Festival. I’ve talked about that fest, here, here, and here. It’s the best music festival in the city. It’s an adventure in exploring downtown, and an adventure in seeing new music. I love the way downtown hums with bicycles and music fanatics. We talked about the fest for a bit, and it was super cool to hear about how it’s managed.
After hearing just a bit of Young the Giant, I headed to Holy Ghost! at The River Stage. I was pretty excited about an 80’s throwback dance party. Can that’s what happened. There was a conga line. Then the audience made of their own line dance, and coordinated everyone up front to dance together. The band sounded just like the recording. Their stage presence was ok, but the audience participation made it a really fun show.
Last up was The Flaming Lips on The Main Stage. Spectacle is a good word for their show. It was very visually stimulating. They sounded good, and provided plenty of entertainment. The thing that really struck me about them was how much fun Wayne Coyne seemed to be having. Playing on that stage seemed to be the only thing he wanted to be doing at that moment in this world. It made for such a great concert experience. Oh, and yeah, he got in his hamster ball and rolled/walked around the crowd.
Sometime in the next week, I will post another blog where I talk about my VIP experience and me experience with a media pass. I will also reflect on the experience as a whole. What I can say now is that in spite of my exhaustion, I was so bummed it was over.
The Flaming Lips on stage.
The Lighthouse and the Whaler
The Lighthouse and the Whaler
The Kopecky Family Band
The VIP stage. This is where all the VIP performances took place.
ZZ Ward
ZZ Ward
Robert DeLong
Airborne Robert Delong
Bear Hands
Holy Ghost!
Holy Ghost!
That’s a woman dressed as a mountain. There were a couple of mushrooms and a rainbow on the stage too.
Wayne Coyne of The Flaming Lips. You may ask yourself if he’s wearing a body suit. Why yes, he is.
The day started a little rough because I forgot my most important successory. Ear Plugs. I stopped in to just a bit of Miner, but then I had to run back to my place to get the cilia-saving foam devices.
After an additional trip to and from my apartment, I turned up to Big Fresh complete with a sweat-soaked shirt. Big Fresh was fun. They had a couple of brass players on stage. In the venn diagram of bands with horns and bands that I like, the circles are nearly on top of each other. If you aren’t a nerd, that just means that I almost always like live bands with horns. Of the lyrics that I could understand I got, “you’re such a hotty totty, I want to touch your body”. So, lyrics might not be their strong suit.
Bronze Radio Return wins for having my favorite song of Bunbury with “Shake, Shake, Shake”. These guys sounded great. They took a little time in their third to last song to jam and feature solos from the harmonica, guitar, and piano players. They are all great musicians. When they played “Shake, Shake, Shake”, it was clear from the crowd’s participation that they were already familiar with their music. Anytime you come around here, Bronze Radio Return, I will be coming to see you.
I peeked in on the Bonesetters before I headed to The River Stage for Kishi Bashi. I’ve been waiting to see Kishi Bashi since I missed him at Midpoint Music Festival last fall. Of all the Bunbury acts, I know his music best. It was worth the wait. He was spectacular. He did a solo version of “Manchester” with live sampling and looping. It was gorgeous. He covered “Live and Let Die” during which he dove into the crowd. After being passed around for a bit he was returned to the stage to close out the song. He’s travelling with a bassist, a drummer, and a banjo player. They all brought creativity to how they used their instruments. The banjo player was playing with a bow at one moment and then using mallets on his banjo for percussion. We got an excellent surprise at the end of the show. Kishi Bashi is coming back in late August to The 20th Century Theater. There’s no way I will miss that.
I stopped in for a moment to see Modoc. They sounded excellent, but I needed to cross the park to see part of Cults. Modoc is booked for Midpoint Music Festival, and assuming no critical conflicts I will see them there. I was expecting to like Cults more than I did. They sounded good. Their performance felt impersonal. That might be partially due to the fact that I was pretty far away, given that I arrived late. I would give them another go because I really like their music.
I headed back across the park to The Warsteiner Stage to see a few songs by Little Daylight. Then I continued on to Paramore. I actually didn’t intend on covering them. But I figured it would be the only time I would see that band, so why not see a song or two. I feel the same way about Paramore as I did about all my ex-boyfriends. I’m just not that into them. A couple of live songs didn’t change my mind.
The Pass and Andrew W. K. were next on my list, so I hiked across the park for the 4th time. The Pass got a tough billing. They were up against Andrew W. K. and Paramore. They deserved better than the sparse attendance they got. They sounded excellent.
Andrew W. K. was big dumb fun. His fans were engaged and very energetic. There was crowd surfing. Even the stoic photographers in the pit couldn’t help but smile. Is his music my thing? No. But it’s impossible to watch him and not smile. Andrew W. K. you win. I would totally see you again.
Foxy Shazam was excellent. Does that even need to be said out loud? Those guys have such a unique and big energy on stage. They packed The River Stage. No surprises there. It’s interesting to note that the other musicians came to see Foxy. Kishi Bashi and Patrick from Fall Out Boy were spotted in the back stage area watching their show. Seriously, if you live in Cincinnati and you love live shows, you must see Foxy Shazam.
Then Fall Out Boy happened. Their music isn’t my thing. I saw almost all of their show, and their music still isn’t my thing. I got some good pictures though.
*Note: I will have to edit this a little later. Sorry for the spelling and grammar problems. Cranking these out on a daily basis is challenging.
Miner.
Big Fresh. I know I said they had a horn section. I promise they are there. The shots that I have of them didn’t make my favorites. I will post them at some point in the future.
Big Fresh
Bronze Radio Return
Bronze Radio Return
The Bonesetters.
Kishi Bashi
I want those sunglasses. Banjo player from Kishi Bashi.
It’s a nice feeling when things go according to plan. It’s a wonderful feeling when things go even better than planned. At work, I was assigned a project that was running off the rails the day before the weekend of the 4th of July. Practically, I had 5 business days to get the project back under control and re-plan it.
I had planned to take yesterday off, so I could have a leisurely morning getting ready for Bunbury. Once I got this flaming project tossed in my lap, taking the day off was out of the question. After roughly 40 meetings and what felt like a zillion emails, and hundreds of problems solved this week, I was able to get a half-day off.
By some miracle, I was able to close out all of my pending work, and keep my four meetings of the morning on schedule. By noon, I was headed to Sawyer Point to get my press credentials. This task went quickly, and I had enough time to change out of work clothes and head back to the fest.
I bought my VIP passes at the fest last year. I had a good enough time that I felt confident about the purchase without knowing the line-up. I had since lost that email receipt. At will call they looked me up, and printed my tickets in less than 5 minutes. Then I headed to the media tent to get my camera sticker. This also took about five minutes. Getting into the fest on time: Success!
I headed to the River Stage to see Royal Teeth. They were just as adorable as I was expecting. They were shiny pop goodness with a dash of hipster. They sounded great, seemed happy to be there, and were really chatty with the crowd.
After a brief stop in the VIP tent for a 2 dollar beer, I headed to The Main Stage to see X Ambassadors. They’re music isn’t exactly my bag. But, my spidey sense told me that they would put up a solid performance. Plus, they have been regularly selling out their shows on this tour, so that’s got to count for something. They didn’t disappoint.
I wasn’t feeling particularly drawn to any of the bands in the time slot following X Ambassadors. I checked in on a couple of songs by Let It Be and Panama Wedding. Let It Be made me think of every pop punk show that I saw in the late 90’s. I think that could be interpreted as an insult, but that’s not what I intend. I like pop punk. I really like it when it’s tight, as they were. I was drawn off because I had to get back to The Main Stage, but I would happily go see them again.
Wild Cub was just as excellent as I expected. They were great the other two times I saw them, so there were no surprises there. The singer said that Ohio was special to them because a dj in Columbus was the first to play their song on the radio. This spawned a conversation later about how Ohio radio stations are less tightly controlled and thus makes Ohio a bit of a trend setter. I have never heard this before. When I have 5 minutes to blow this will be googled.
I stopped by at J Roddy Walston and the Business and Family and Friends. J Roddy was rocking. I will be seeing them again. Like X Ambassadors, their music isn’t my bag, but I always love a stellar performance.
I heard great things about Cage the Elephant. That great lip service is justified. At this point I thought, ah this will be the best performamce of the day. That turned out completely wrong.
I missed Bad Suns, but my friends that made it said they were great. Next up was Fitz and the Tantrums. I saw them this past fall. They have been touring for more than 7 months. They are great performers, but I have to say their vocals were a little worse for the wear. Fitz was clearly struggling. Their only option would have been to cancel, and I commend them for powering through it. Regardless of sounding a little rough, they were just as engaged with the crowd as they were early in the tour. The band sounded excellent. Net, not the best I’ve seen from them, but they get big ups for not disappointing their fans with a cancellation.
I am sure it’s nostalgia that makes so happy to see Heartless Bastards play in Cincinnati. I think of the many times I saw a then slightly different lineup playing the claustrophobic basement of the CAC, the original Southgate House, and Northside Tavern. It was around their inception and early shows that I started engaging in the local music scene. Zero regrets there. Erika Wennerstrom said it was good to be home, and it made me feel sappy and thankful for how good Cincinnati has been to me.
Last up for the evening was Empire of the Sun. When they were booked, I had thoughts. Thoughts like, what idiot booked this? I kept these thoughts to myself, because I wasn’t familiar with the band. I did some listening. I liked their sound. For the most part, feedback on social media was similar to my first thought. But there were sporadic dissenters suggesting that this booking was a huge win. “They never tour in the states”, they said. “They have an amazing live show”, they said. I skipped checking out any YouTube videos because, I do most of my listening via Spotify and can’t stream video at work.
The photography pit was packed. Empire of the Sun hit the stage. My mouth was agape. It took minutes for me to recover my wits from the awe I was experiencing. My words just aren’t good enough to describe what happened there. The pictures aren’t really either. But they’re all I have. I will say this, their show blew my expectations out of the water. If you can see them, MY GOD YOU MUST DO IT. I DON”T CARE IF YOU DON”T LIKE THEIR MUSIC.
In summary, Bunbury day one, you win. I freely admit, I wasn’t feeling your line-up this year. But, damn, if Saturday and Sunday are even half as good as yesterday, I am calling this fest a massive success.
Royal Teeth! Aren’t they cute?
See? Even cuter in this picture.
X Ambassadors
Not the instrument I thought he would play.
Let It Be rocking out.
Panama Wedding
Wild Cub!
J Roddy Walston and the Business
J Roddy Walston and the Business, and for some reason they remind me of Soul Asylum. Visually. They sound nothing like Soul Asylum.
Cage the Elephant
These guys put up an amazing performance.
Fits and the Tantrums.
Heartless Bastards!
The Warsteiner Stage
Empire of the Sun. I have so many more pictures of this show, but you will need to wait a few more days until I can process all of them.
This has been one hell of a week at work, which makes me extra excited about all the live music that I’m seeing this weekend. I’ve been blogging about my not-to-miss bands for the past few months. Check out those blogs if you like.
Plus, I’m super excited that I got a press pass this year. I have a pretty spiffy camera, and I was hoping I could get clearance to bring it in. Success!! I’m thrilled about all the amazing pictures that I’m going to share in the coming days.
Here’s my agenda for the weekend. Agenda. It’s so corporate. Regardless, here it is.
Friday:
2-245 Divided between Royal Teeth and Snowmine – Both these bands sound great, so it looks like I start the fest by sprinting across Sawyer Point.
245-330 X Ambassadors – These guys are regularly selling out their venues on this tour. Their horizon is looking pretty bright.
330-415 Let It Happen
415-5 Wild Cub Seen them twice, love them. 500 Miles to Memphis gets an honorable mention. This Cincinnati-based band puts on a great show, but I’ve seen them quite a few times. Oh, the burden of being a local at this fest.
5-545 Divided between J Roddy Walston and the Business and Family and Friends – I enjoy the sound of both of these bands. More sprinting.
545-645 Cage the Elephant
645-730 Bad Suns – If I have it in me, I might try and catch a song or two by Meg Myers and Lydia Loveless between Cage and Bad Suns.
745-9 Fitz and the Tantrums
915-1015 Heartless Bastards – Erika Wennerstrom’s voice is just spectacular.
1015-1115 Empire of the Sun
Saturday:
2-245 Miner
245-330 Big Fresh
330-415 Bronze Radio Return
415-5 Bonesetters
5-545 Kishi Bashi – I would have gotten tix to this fest just for this show.
545-645 Cults – Their songs sound straight out of the sixties and have lyrics about, well, cults. What’s not to like?
630-730 Little Daylight – This band drew me away from my original agenda at Governor’s Ball with their sweet, sweet sounds.
730-815 Molly Sullivan – Formerly the lead singer of the Know Know Nots, she’s got stellar vocals. I’m excited to see what she’s working on now.
815-915 Divided between The Pass and Andrew W. K. – Oh god, why are so many good things happening in this time slot.
9-10 Foxy Shazam – Their music isn’t really in my wheelhouse, but they are super performers.
10-1115 Fall Out Boy – They aren’t really my thing, but they have no competition. So, thks fr th mrms in advance.
Sunday:
2-245 Brick + Mortar
245-330 The Lighthouse and the Whaler – So much pop goodness. It’s marshmallow fluff for your ears.
330-415 The Easthills
415-5 Kopecky Family Band – Are they sure they aren’t a subset of Cults?
5-6 ZZ Ward
6-7 Robert Delong – This is dance-your-pants-off hour.
630-730 Bear Hands
7-8 Young the Giant
8-9 Holy Ghost! – They are so 80’s, and I love it so much.
9-1015 Flaming Lips – Thank Jeebus this thing ends at 1015. I will be beat-down by that point in the weekend.
This was the plan. We would pick pick 10 quarts of blueberries. Then we would make two jams, 7 quarts of blueberry pie filling, one blueberry pie, and one apple-blueberry short cake. We had no idea that this was an overly ambitious plan. Here’s how it went down.
Do you know how long it takes two people to pick ten quarts of blueberries? We didn’t. I had some concept of the effort involved based on my past strawberry and raspberry picking experiences. We tend to forget negative bits of the past and retain the positive bits. This is how women agree to go through childbirth a second time. I figured it would take us a couple of hours. What I failed to figure was how fatiguing bending over and/or kneeling for 2 hours can be.
We picked at Hidden Valley Farm in Lebanon, OH. They opened at ten, which meant a pretty late start to our day. When we can, we tend to start cooking a little earlier than that. Plus, I know from my farm-raised father, that you really want to get your picking in before the heat of the day, which means being in the field at sunrise. Sweating your balls off really drains your energy, obviously not my father’s words.
After an hour in the car charting every back road in Southwestern Ohio and questioning the wisdom of Google Maps, we turned up at the farm at ten. When I told the old farmer that we were there to pick blueberries, he responded with, “Good. They aren’t going to pick themselves.” My dad’s family is thick with these types of characters. I don’t know if farming cultivates character, or if characters are drawn to farming.
A friendly woman approached and asked if we had picked blueberries before. I said no, but to satisfy my own anxiety at being perceived as a noob, I added that I’ve picked other fruits. She directed us to one of two areas with blueberry shrubs, and explained that we should look for berries that separate from the bush at a gentle twist. It’s still unclear if this woman was a helpful patron or an employee of the farm.
The twenty ounces of iced coffee that I expected to fuel my picking also set my back teeth afloat, so I inquired about a bathroom. I was cheerfully lead to an outhouse. Joy. I believe that this was my first outhouse experience. It could have been worse, but lets just say the lack of light in there was probably for the best. It did smell of a shit you might find in your closet days after the stench has alerted you to your cat’s passive aggressive punishment for vacationing.
I am listening to Andrew W. K. while writing these captions. This combo isn’t working. Pastoral pictures and frat rock, not a good combo. Anyway, this is what a blueberry bush looks like.
The shrubs appeared to be of varying maturity. It looked like they were correct in stating that they were at the beginning of their season. The shrubs had quite a few berries on them that were not yet ripe. Regardless, we did find plenty to pick.
Like strawberries, efficient blueberry picking is based on your eye catching color peeking out between leaves.
I’ve never seen a blueberry shrub before. They are squat little bushes.
They had two fields of bushes. That sentence made my inner twelve-year-old snicker.
Their second field was further from the entrance. We both reasoned that people probably didn’t venture back there as frequently, so the picking would be better. We decided to move to the second field. Logic and reason didn’t disappoint.
Their high-tech bird repellent.
We were wondering how they kept the birds off their berries. Birds find a way to get my cherry tomatoes off of my deck in the middle of downtown. This seemed a far easier meal. We were also wondering why we kept hearing something that sounded a little like gun fire. I had actually assumed someone was getting in target practice within earshot. Turns out those ideas aren’t as unrelated as you might think.
As we approached the second field, there was muffled screaming, “Fire in the hole”! Now, reasonable people would have reconsidered approaching, but we aren’t reasonable. We found an air gun set-up at the edge of the field. It was rigged to a container of propane, and was set-up to go off at intervals. In the spirit of Scooby Doo, bird-eating-berries mystery solved.
Their low-tech bird repellent.
This is what almost eight quarts of blueberries looks like.
With the picking adventure in the bag, we started cooking around one in the afternoon. We started on two varieties of blueberry jam. We made one batch of standard jam, and we made one batch of this spiced blueberry jam. Aside from the fact that we needed to gather some last minute ingredients (thanks Jenn and Carly), making the jams went as planned.
Spiced blueberry jam prior to simmering.
Spiced blueberry jam.
Panna Cotta topped with fresh blueberry jam.
My canning partner Ali, who is almost always the we that I am referring to when cooking, brought over panna cotta. Naturally, we put fresh preserves on it. The standard blueberry jam passed this test with flying colors. The panna cotta was delicious, and really would have been wonderful pared with any fruit topping.
Jams just before sealing.
The spiced jam is interesting. The star anise gives the impression of excessive sweetness, but the cider vinegar counterbalances it. I wasn’t sure how I felt about it when tasting it on its own. I later spooned a bit of it on the panna cotta and enjoyed it. My partner said that she couldn’t tell the difference between the regular and spiced jams, so it’s safe to say the difference is subtle.
Blanched berries. These got combined with the Clear Jel and sugar mixture, that would also double as cement in a pinch.
This was our first time canning pie filling. It did not exactly go off without a hitch. According to my not-so-exhausted research, Clear Jel is the only product approved for home canning. This product was a real pain to get hold of. Here’s the recipe we used. I’m not going to delve into the challenge that was Clear Jel. I am just going to say the things that I learned. First, when the instructions say don’t overcook, what they mean is don’t heat it up too fast. If you should, perhaps, misinterpret this direction and heat it up too fast, just know that the terrifying inconsistent gelatinous goo that results can me beat out with a wisk if you remove the pot from heat. Second, the sugar Clear Jel combo will form something like cement if you fail to clean your pot almost immediately after use. Third, the instructions are poorly worded. If you choose to work with this product, I can only say, my the odds be ever in your favor.
Pie filling. Let’s not think about how many dollars of blueberries are in that jar.
By the time we finished the jams and navigated the Clear Jel fiasco, we were beat. At six we slumped down at the table, and dolefully looked at each other. The glance that we shared said it all. What were we thinking?
After a few moments of commiserating that our work was not yet done, we started on the pie and the shortcake. I had made the pie crust some days earlier, and it was just a matter of rolling it out and assembling the pie with the filling that we had finished.
I followed this vegan pie crust recipe, and used my own homemade vegan butter. I know what you are thinking, meat eater. You are thinking that this must taste like crap. I am also a meat eater, and frankly I thought the same. The vegan butter was quite good. It was better than any margarine that I’ve had by a long shot. In a blind taste test, I bet I would struggle to identify butter from this vegan butter.
The pie rolled out wonderfully. I was suspicious, as in my experience, the flakiness of a pie crust has an inverse relationship with the ease with which it rolls out. Pie crusts that roll well, are pie crusts that have too much water. But the crust turned out really great. It was the right balance of flaky, crisp, and sturdy. This crust was good enough that I am making it my default recipe.
Pie right out of the oven.
That’s a fine-looking slice of pie.
That brings us to the shortcake. Did you look at the recipe? Stupid metric system. Or perhaps, stupid America for not adopting the metric system like the rest of the world. In addition, this thing looked like a ghastly mess when we put it in the oven. The dough was difficult to work with. We were shocked to find that it came out of the oven looking exactly like the pictures. I’m convinced that elves replaced that hot mess we put in the oven with a fully prepared shortcake.
The shortcake turned out pretty well. It was a bit more tart that I would have liked, but the cake part was pleasant. Personally, I would add a bit of vanilla to the cake, as it had more of a pound cake texture than biscuit texture. In America, pound cake means lightly sweetened biscuit; I don’t know how you Brits do it.
What are my lessons in summary? Vegan pie crust is great. Clear Jel is a filthy whore. Brits don’t know what short cake is. Blueberry jam is delicious. The end.
It’s been a bit since I last posted about books. I actually finished BFG some weeks ago. It totally slipped my mind to write about it. I have also been spending quality time with Anna Karenina and Brideshead Revisited. I should wrap both of those up in the next week or two. So while I haven’t been writing about reading, I have been doing a considerable amount of reading.
BFG is and acronym for Big Ugly Giant. Said giant steals an orphan from her bed. To the girl’s horror, she learns that there is a land of human eating giants. Luckily, her BFG seems to be a vegetarian. Adventures ensue when they attempt to thwart the human-munching giants.
Roald Dahl seems to be deliberate in the morality he delivers in his books if Charlie and the Chocolate Factory is representative of the rest of his work. It follows that he is making a point about the morality of eating animals. He doesn’t shy away from dark topics, and the way he glibly describes the different flavor profiles of humans across the globe seems to mirror the way in which we talk about pork, beef, or chicken. Maybe I’m interpreting this too directly. Maybe he’s making a broader statement about consumption, and the willful ignorance that it requires to maintain peace of mind.
In casting the orphan girl and an unattractive giant as the protagonists, he is suggesting that people just outside the norm have inherent value. Toward the end of the book the girl and BFG get treated to a dinner with The Queen, which seems to suggest that the world will value you for what you can deliver to it rather than how you look. I love this as a message, but I don’t think the world is inherently fair. People who deliver valuable work are routinely judged by more superficial measures. Of the lies that I used to believe, my faith in fairness was the most difficult to shed.
Jeez. I didn’t know I had this much to say about this book. I didn’t love it when I was reading it. But I love the way it made me think. It’s a short, easy, thought-provoking read, so I suggest it.
Swallows and Amazons is a precious book. It’s the most romanticized tale of childhood that I have read yet. It’s a pleasant read in that it prompted me to daydream about racing dirt bikes and building tree forts. But it was too precious. A couple bites of cotton candy are nice; a whole bag of cotton candy rots the teeth. Swallows and Amazons is a great thoughtless beach read, but it’s utterly unmemorable.
Now then, back to Anna Karinina, Brideshead Revisited, A Suitable Boy, and Naughts and Crosses.
I’ve seen both these bands before. They both put up solid performances. If you are looking for pop-candy goodness head to Fitz. If you are looking for indie rock with a slightly unapproachable sound head to Young the Giant.
See? Pop goodness. Prepare yourself, the woman that does backing vocals puts on one hell of a show.
See? Indie rock that is melodic yet slightly unapproachable. I will be seeing both of these bands again at Bunbury.
Next week, I will share my picks for the local bands that are book at the festival. I’ve seen most of them. Let me take the next few days to consider whether I will consider Heartless Bastards a local band given that they are currently out of Austin but started here in The Queen City.
We doubled the recipe to get the yield up to 4 cups. I took the sugar down to 1 cup as opposed to the called-for 1 1/2 cups. I found after sampling that the sweetness was adequate with that decreased amount of sugar. It might be important to note that I had a very sweet, aged balsamic though. So, the additional sugar might be necessary with more bright and tart balsamic. I felt suspicious of the amount of pepper in the recipe. I halved it, figuring that I could taste it and add more after cooking for a bit. After simmering for 15 minutes, we gave it a taste. The pepper really mellowed out after simmering, so we added the rest of the pepper that the recipe called for.
These preserves are delicious. I had extra strawberries on hand, so I whipped up some shortcakes. I tried out Alton Brown’s recipe, and it yielded the best shortcakes that I’ve had to date. These shortcakes straight out of the oven with the preserves drizzled on them, were simply outstanding. The balsamic adds depth and complexity to the strawberries. I thought the acidity of the berries along with the balsamic might overwhelm, but that wasn’t the case. Herbal isn’t the first thing that I think of when tasting strawberries, but the balsamic brought out these qualities and let them shine. This is lovely, and I will be making these preserves again.
The jarred strawberry preserves with pepper and balsamic.
Cincinnati has a segregation problem. White people live in white neighborhoods, and black people live in black neighborhoods. White people go to certain bars, and black people go to certain bars. That’s just how it’s been. And it’s a problem.
Music in public places might be one way of breaking down those barriers. That was my thought while I was watching a black man twirl some soccer moms Friday night at Fountain Square. The crowd was better diversified there than any place that I’ve been in recent months.
I headed to Fountain Square to see Pluto Revolts, Captain Kidd, Vito Emanuel, and Betty Who. They were playing Midpoint Music’s sponsored indie rock night. I was happy to see Pluto Revolts as they are in the Bunbury line-up and conflict with another act that I want to see, unfortunately I only saw one of their songs. Captain Kidd was really fun. Betty Who brought lots of energy to the stage. I enjoyed her band. She had two very short women playing bass and keys. Betty Who is extremely tall, and when she would dance next to her band mates they looked like hobbits. It was a fun free show, and the Square had a good turn out.
Betty Who on Fountain Square. Betty Who attracted a varied audience, including drag queens, suburbanites, and junkies.
I’ve seen Sidewalk Chalk twice. I saw them at MPMF 2013, and I saw them at MOTR this winter. They had a Saturday night booking in the winter, and they packed the house. No offense to the band, but MOTR is typically packed on a Saturday. Mostly, I think this says more about Cincinnati’s work schedules than it does the bands booked on said nights.
They played Sunday at MOTR, and while there was nice turn-out, it wasn’t as crazy packed as it was this winter. I enjoyed the more low-key vibe. They sounded excellent. The performance of the brass players really popped. I could see them this time, so that might account for them drawing my attention.
This guy took a great solo.
Put your hands up.
I am pretty sure this is Sidewalk Chalk’s touring machine. I love it.